I grew up in Brunswick, on the inner edge of Melbourne's north, in a house that always smelled faintly of darkroom chemistry. My mother developed film in the laundry on weekends. I was the kid who carried the tripod.

At sixteen I bought a Pentax K1000 for forty dollars and lost the next two years to it — the laneways behind Smith Street, late trams, the slow city before sunrise. I studied photojournalism at RMIT and freelanced through the back half of the 2010s for The Saturday Paper, Broadsheet, and a handful of small magazines that no longer exist.

Since 2018 I've worked as a full-time independent photographer. I split my time between editorial assignments, wedding documentary work, architectural commissions for studios across Melbourne, and long-form personal projects that nobody asked for.

I still shoot mostly on film — a Leica M6, a Mamiya 7, and a tired old Hasselblad 500C — and I still print every personal frame myself in a converted bathroom in Fitzroy. I think slowness is a feature.